Report says that C500 Mark II will become the highest resolution video camera in the Cinema EOS lineup. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). The Canon C500 Mark II Camera Primer is a brand new course by MZed, which offers a comprehensive overview of the C500 Mark II major functions, from unboxing to post-production. Read on. Excellent recording mode, 4K capturing with oversampled 6K Full-frame Exmore R sensor. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. The Canon C200 and C500 Mark II are very different cameras. In addition to shooting 60 frames per second (fps) at 5.9K and 4K resolution, the EOS C500 Mark II can shoot up to 120 fps when dropped down to a cropped 2K resolution. The flagship cinema camera from Canon has been cut to $10,000 for both EF and PL mount versions (thanks to Erik Naso for the heads-up).It may still seem like a lot, but back in January of last year the price was around $16,000, so this is a pretty big reduction. Explore our review below. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. 12K URSA Mini Pro vs 8K Canon R5 vs 6K C500 Mark II Side-by-Side Comparison Shawn Steiner October 26, 2020 Blog No Comments We have definitely entered the time of greater than 4K resolutions. Canon C500 Mark II. Dynamic Range Result of the Canon C500 Mark II at ISO 800 Please have a look at how we test dynamic range of cameras here . They are also very similar. Buying guide comparison of the new Canon EOS C70 vs C300 Mark III vs C500 Mark II models Netflix has added the Canon EOS C500 Mark II to its list of approved cameras, enabling documentary and drama filmmakers to use the affordable full-frame Cinema EOS System body as the primary camera for Netflix Originals productions.. I own a C500 + 7Q combo and I find the image has a better “snap” to it compared to my C300MK2 which is mushier. Han pasado más de 7 años desde la presentación de la Canon C500 original, que solía ser la cámara de cine insignia de Canon antes de que se presentara la C700 en … It is suspect that it will match or slightly exceed … La Canon C500 II utiliza una montura Canon … Canon’s new-ish full-frame sensor (also offered on the C700 FF) gives filmmakers a more detailed image, with an even shallower depth of field. Su sensor de gran tamaño permite utilizarla sin problemas con objetivos anamórficos completos, procesando las imágenes de forma interna sin necesidad de un monitor externo, que es justo lo que se necesitaría para disparar en anamórfico en la EOS C300 Mark III de Canon. Canon EOS C300 Mark III To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to … But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). The Canon C500 price has been steadily inching downward, but today we got a huge price drop.. Canon EOS C500 Mark II es una cámara de cine con sensor CMOS de fotograma completo 5,9K y procesador de imagen DIGIC DV 7. Canon has just announced the return of the EOS C500 Cinema Camera with the new C500 Mark II. Enter the Canon C500 Mark II. As for this moment, the brand new C300 Mark III is not on the list. In February this year, the Canon C500 Mark II entered this prestigious list with the new codec Cinema RAW Light. Equipped with a 5.9K Full-Frame Sensor and Internal Cinema RAW Light The EOS C500 Mark II is equipped with a 5.9K full-frame sensor with a 17:9 aspect ratio—developed specifically for cinema use—that realises a dynamic range of up to 15+ stops, allowing for … Both have raw recording, both are part of the Canon Cinema EOS system, and both offer some of Canon’s latest technology—including the much-loved Dual Pixel CMOS AF. The EOS C500 Mark II supports ACES 1.0 of the Academy Color Encoding System.